This weekend being the centenary of the birth of Charles Addams is as good a time as any to blog about things Gothic among which I’ve been wallowing for a few weeks.
Since a stay in a haunted room in Annaghmakerrig a while ago I’ve been drawn to stories about places and characters that dwell on the borders of consciousness and reality. I’ve written one or two, but I wanted to explore some antecedents of the horror genre before going any further and over the Christmas holiday I read some works of Edgar Allan Poe, Sheridan Le Fanu, Montague Rhodes James (M.R. James), Wilkie Collins and Elizabeth Bowen. I finished Sean O’Brien’s ‘The Silence Room’ (Comma Press, 2008) too. He notes that his story ‘Close to You’ was suggested by a passage on ‘Carmilla’ in an introduction to Le Fanu’s stories, In a Glass Darkly.
‘Le Fanu’s was the first vampire tale whose protagonist is a female vampire. The lesbian relationship between the two main characters is of its time, implied rather than explicit. I’m not a Buffy-Twilight-True-Blood follower, but I was interested to read ‘Carmilla’, Fanu’s original vampire prototype and the inspiration for Bram Stoker’s Dracula. Laura is a rather passive character, but Carmilla is languidly evil and some of the dream sequences make for hypnotic reading.
In a Glass Darkly is a collection of gothic tales in which a doctor of ‘metaphysical medicine’ allows the reader to decide whether the supernatural happenings are real or the result of the haunted victims’ organic brain disease.
Sean O’Brien’s story is about an hilariously patronizing gothic stalker obsessed with a female Irish academic who is writing a book on the Gothic titled The Gothic Reviv’d which makes the stalker smile. It made me smile too, as do many of O’Brien’s blackly humorous stories. O’Brien’s stalker is horrified to discover that the academic has betrayed him by writing in her book that ‘Carmilla’ was ‘only a story’. She is an unbeliever! It’s a wonderfully playful story that makes you glad you can’t completely suspend your disbelief. The narrator is in no doubt about his own existence (at least I think it’s a ‘him’), and ends by saying ‘Desire and the clock have made an appointment, and when that comes we shall see what is real and what imagined’.
Le Fanu influenced a range of writers as diverse as M.R. James, Bram Stoker, Elizabeth Bowen and James Joyce.
I live near the Phoenix Park and may of his stories take place there and in the nearby village of Chapelizod: Ghost Stories of Chapelizod and later his novel The House by the Churchyard.
A modern reader might find some of the stories less than spine-chilling and some might dislike the long sentences used by a 19th century author, but I found the ones I read by Le Fanu readable rather than turgid and always meticulously grammatical. The stories are interesting in the context of the history of Gothic fiction and of social life in an early 19th century Irish village.
Le Fanu was known as the ‘British Poe’ (he was Anglo-Irish). I’ve always admired Poe’s control of the musical elements of poetry and the endless, beautifully structured sentences of his prose. I get carried away by them, especially in the opening of his well-known ‘The Fall of the House of Usher’. Some of the stories might terrify you, depending on your sensibility, but they’re worth reading just for his language and his dark, brooding, half-crazed protagonists.
Wilkie Collins’ novella The Haunted Hotel is a mix of ghost story, gothic mystery and psychological thriller. There’s a long cast of characters, which can be confusing, but it is engaging. He is best known for The Woman in White and The Moonstone. There are some short stories along with the novella in the volume I got and I’m looking forward to reading those.
M.R. James ‘s stories are inhabited by palpable forces of evil. Figures appear in paintings, voices of demons are heard, sepia drawings contain horrors that are reawakened. Ordinary objects and situations become nightmarish. Some are less frightening than others, to a modern reader at least, but there is something genuinely creepy about ‘The Mezzotint’ in which a print of an old manor-house changes perceptibly to include a spooky figure that wasn’t there before. There are one or two passages which I’m not sure are intentionally funny where the narrator intrudes, as is the style of the time, to comment, for example, on a game of golf: ‘…which golfing persons can imagine for themselves, but which the conscientious writer has no right to inflict upon any non-golfing persons’.
I must remember to write that next time I have to describe anything golf related.
Some of Elizabeth Bowen’s novels and short stories were familiar to me, but she too became fascinated by the supernatural and produced a number of stories which were later published in collections: Encounters, The Cat Jumps and The Demon Lover. In the title story of the last collection a woman’s fickleness engenders its own terror, in ‘Green Holly’ the characters are beset by ghosts of murder and ‘Hand in Glove’ is an absorbing story of supernatural revenge. In her other ghost stories she seems to accept ghosts as part of the continuity of time.
It’s ironic that it was my brand new Kindle that allowed me to access most of the nineteenth century gothic tales I read. I have to admit that my first Kindle purchase was the anthology published by Five Stop Story (to be read in five stops on the London Underground), in which one of my own stories, ‘Mirage’, features, having been published on the website last year.
Does anybody else have a passion for the Gothic? Are there any authors you particularly admire, contemporary or older? Any films come to mind? Recommendations welcome. And Happy New Year with no nightmares!
Related articles
- Short stories: Elizabeth Bowen and Tessa Hadley (guardian.co.uk)
- Early ’60s Horror (5) (hilobrow.com)
- Monday musings on Australian literature: Australian Gothic (19th century) (whisperinggums.wordpress.com)
- Irish Times article
Brigid said:
I love the sound of Sean O’Brien’s work, I must put him on my to read list.
I love your golf quote. The Phoenix Park has a real Gothic vibe going on, I love being there at dusk, it is a really atmospheric place. I am intrigued by supernatural writing and would love to try it some day.
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Valerie said:
I think you’d like O’Brien’s stories, Brigid. I’m really drawn to the supernatural too lately. I have notes for a story set in Phoenix Park, but I haven’t found a way into it yet. I’ll let it brew for a while. I do wish the neuroscientists wouldn’t keep explaining ghostly happenings as neurons firing – ruins the fun!
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dublindave said:
Another great post. I love Gothic stuff too and have felt haunted in that exact same room you mentioned. I agree with you on Poe – he’s inexhaustibly wonderful. Love ‘The Black Cat’, ‘The Facts in the Case of M Valedemar’ and ‘The Tell-Tale Heart’ especially, but there are loads of highlight pieces. I found ‘The Haunted Hotel’ a bit throwaway for Wilkie Collins – in terms of length and quality – I prefer the Gothic atmosphere of some of the longer novels – Armadale is great though not Gothic through and through. Haven’t read the O’Brien, Bowen, Le Fanu or James works as of yet but they sound interesting. Weirdly enough last year was the year I ended up watching a lot of gothic/ghost/horror films and quite enjoyed most of them too. Watched a few classics like ‘The Haunting’ and ‘The Innocents’ amidst the modern stuff – both worth looking at. You might be interested in ‘The Haunting of Hill House’ by Shirley Jackson too (the inspiration for ‘The Haunting’.)
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Valerie said:
Thanks for those tips, David. That is a creepy room alright. I’m not sure if I was haunted or not, but it was always cold, even in summer! Must try the Shirley Jackson book. Might try the longer one by Wilkie Collins, The White Hotel. I love ‘The Innocents’ too
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whisperinggums said:
Excellent post Valerie. I’m not a huge fan of Gothic but it does intrigue me and I’m going to follow up my 19th century Australian one with a 20th century one. I’ll look at how several authors have grappled with unknown forces – psychological fears – but without invoking vampires etc. Elizabeth Jolley’s The well is one such … But I will get to that post eventually!
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Valerie said:
Thanks, Sue. I really enjoyed your own post – fascinating to read about the Gothic from the Australian perspective. I’d be really interested in your upcoming post about 20th century Australian horror – the psychological terror is more interesting than vampires etc for me too. I’ll certain have a look at Elizabeth Jolley. Thanks for the tip:)
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Paul Fegan said:
Great piece, Valerie. I used to read the opening paragraph or two to The Fall of the House of Usher, just to get into the right ‘mode’ for writing. I love those lengthy, comma-burdened sentences that draw the reader into the atmosphere. Dickens was also a master and there’s a fantastic description of the church in The Chimes (if I recall correctly). Read a little Le Fanu as well, after a recommendation, and found it wonderfully unsettling. Also read Casting The Runes by M.R. James. Liked his work, too, but some of the spectres were a little too physical and sometimes ‘ape-like’, but in fairness, author didn’t have a wealth of movies to draw on for inspiration in the 19th century.
In terms of your Kindle, don’t forget to visit Project Gutenburg http://www.gutenberg.org/ where you’ll find lots of out-of-copyright literature for free. I read some Poe, Le Fanu, and Dickens here. This is the only genre that inspires me to write, so thanks again for a very inspiring article.
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Valerie said:
Thanks, Paul. Yes, it is an inspiring genre. I know what you mean about those ‘ape-like’ manifestations in M.R.James – I prefer the more subtle ones too. You’re right about movies changing how we read. We’re all so sophisticated now! I’d forgotten about Project Guternburg. Must go back to it. Some of the free books on Kindle are great, but some have been modernised or cut or are full of typos.
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Brian Kirk said:
Great post Valerie! Haven’t read much if these authors, but am fixated by the links between Mary Shelley’s Frankenstein and Percy’s Prometheus Unbound and how they link back to the story of the Fall etc in Milton’s Paradise Lost – there’s a treatise to be written there some day! It’s like Gothic meets the Judo-Christian tradition meets existentialism…
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Valerie said:
Glad you enjoyed the post, Brian. I’ve read Frankenstien, but hadn’t realised about those other links. Must look into that!
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Eric said:
Enjoyed that post, and you’re right Valerie, Le Fanu and Poe are definitely the dog’s boll**ks for Gothic alright. Know what you mean regarding their convoluted and highly polished sentences; very nice. Too much bad language for me though. And kipper references. Haven’t read Carmilla. Trust me to miss out on his erotic lesbian fiction stuff, ho hum. Must check out the others you mention. O’Brien sounds tasty enough too. Check out Captain Murderer by Charles Dickens if it’s old-fashioned traditional stories about cannibalism you’re after. And his raunchy sequel, Captain C*ck, is even better. It’ll definitely put the Willies up ya. Ahem. While Zombies Walked by Thorp McCluskey is also another barn storming chiller – you haven’t lived until you’ve sucked someone’s soul out of their body, spat it into a bottle and corked it up forever. Read it and weep (it a good way). You just have to have zombies. I’m afraid to mention The Monkey’s Paw by W.W. Jacobs for fear my insides will go all electronic and my lips bright pink. But I have now, so I’m probably doomed. Is that a mucus-faced dribbler I see before me? Must das-
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Valerie said:
I’d never have guessed you’d like convoluted and highly polished sentences. Apologies about the kippers. This is a very weird coincidence but just before reading your comment I finished reading a story titled ’14 Cannibal Kings’ by AM Howcroft.Not Gothic, but you never know – maybe someone is trying to send you a warning. Dont blame me – it was you who mentioned the cannibals.Be afraid. Be very afraid…
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Mel u said:
Great post. I really like the atmosphere of works by le Fanu such as the evil guest. I loved his short story, The Child Stolen By Fairies, it really ties in with the famine years and is about coping with the death of childre. I have not yet any of tne work of Sean O’Brien but now i would like to. Elizabeth Bowen’s stories are wonderful. I plan to start through le Fanu, is he maybe French/Anglo/Irish first collection of short stories, the Purcell Papers and then read Uncle Silas.
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Valerie said:
Thanks for the comment, Mel. I do love revisiting those writers you mention, and Sean o Brien is a contemporary poet and writer. Great to see your interest in Irish and Anglo Irish writers. Enjoy!
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Mel u said:
Very informative and interesting post-
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Valerie said:
Thanks, Mel. Appreciate the interest from one as well read as you 🙂
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