I read Padrika Tarrant’s Broken Things recently and it’s an admirable collection. Her characters inhabit a world that is skewed according to their hallucinatory consciousness and perceptions, but she manages to bring to light what’s really at stake in her stories with an urgent clarity. Here’s an excerpt from the opening story ‘Darling’ about a character whose desire to find someone or something to love is fulfilled by a dead dog:
“When I lifted my Darling from the roadside, the utter looseness of his body shocked me so much that I all but dropped him. His head lolled at a sick angle; he seemed boneless, just a floppy mass of joints. No wonder he needed me so badly. I lowered him into my pram, and as if at some secret sign from God, it began to rain.”
Like many of her stories, it’s an unsettling and heartbreaking read. Another favourite of mine is ‘God’ in which a very peculiar manifestation of God whispers, “I’m sorry. It’s not my fault.”
So far, I have written mostly realist fiction, but after reading Tarrant’s collection, and before that ‘The Silence Room’ by Sean O’Brien, whose brilliant stories are populated by ghosts, I tried my hand at surrealism and ended up loving it. I enjoy Angela Carter’s fiction too – she’s difficult to categorise but there are surreal elements there. Neil Gaiman is another favourite and Irish writers Flann O’Brien and Neil Jordan.
Maybe you’ve tried surrealism already, but if not, it’s worth having a go as a way to make things skewed, odd, dreamlike and potentially memorable.
Strangely, writing strange fiction works best if you keep it real. That is, I find I need just as much precision and concrete detail as I would use in realist fiction to keep a reader engaged with whatever universe I’m describing and indeed Tarrant’s characters inhabit recognisably banal landscapes. Vagueness and cliché are to be avoided obviously as are descriptions of your own dreams in the hope of creating dreamlike fiction. Ever been subjected to somebody relating a ‘surreal dream’ they had last night?
Has anyone else tried writing skewed or any other new style or technique? Has it energised your work? Any tips or authors to recommend?
YOU MIGHT ALSO LIKE:
- Floatography: Beautifully Surreal Underwater Art Gallery (weburbanist.com)
- Angela Carter and the Modern Fairy Tale (littleinterpretations.com)
- Review of Padrika Tarrant’s The Knife Drawer
Louise said:
Intriguing – actually thinking about exploring this style. Will let you know how I get on. Very impressed with excerpt from the ‘Darling’ story for sure.
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Valerie said:
Glad you liked the excerpt, Louise. Looking forward to seeing your results:)
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dublindave said:
I love Angela Carter and Neil Gaiman and although I’m not mad about those extracts I would be intrigued to read more of Padrika Tarrant. Fantastic fiction is slowly becoming more respected I think and there are many wonderful YA books that are speculative and buzzing with wonderful ideas.
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Valerie said:
I really liked those stories. She’s a wonderful writer. The odd time there are cartoonish images, but overall it’s a great collection. I agree about YA fiction.
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Brigid said:
There must be a certain freedom writing it too, Valerie.
I would love to explore that style too. That collection looks intriguing!
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Valerie said:
There is a freedom in it, Brigid. I know you experiment with different styles all the time. I think it’s good for a writer – it’s broadening.
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Brian Kirk said:
I don’t or can’t do surreal, but the longer I live the more open I am to trying or reading new things. Incidentally I’ve just been blogging this morning about the exact opposite – Jack Kerouac and lived life/actual experience as the basis for your “fiction”.
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Valerie said:
That’s interesting, Brian. I’ll have a look at your post later on.
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Niamh said:
Hi, I came over from Brigid’s blog 🙂
Interesting post, and a coincidence – I’ve found myself on the skewed road with my fiction lately – maybe because I was getting bored with the limits ( probably self -imposed) of what a good short story can be. I found myself really impatient with the ‘perfect’ and almost sealed nature of the form recently. So I’ve been writing tales that push and pull at reality. Its very freeing and playful, and definately energising!
I love angela carters bloody chamber and her new eve…look forward to checking out tarrant:)
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Valerie said:
Thanks for dropping by, Niamh. I read a couple of your stories on your blog a few weeks ago and loved them. ‘Push and pull at reality’ is a good way of describing this kind of writing. I find it playful too. I’ve only recently been doing it, but will try more now. Hope you enjoy Tarrant 🙂
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jim archer said:
Valerie
Glad to meet up with you again.. since 1998 I think. I am a member of Platform One and Susan Condon has just edited my book …finished this very week. Remember the castle and those wonderful stories in class with Evelyn Condon (another)
I will take a decent look at your blog Valerie in the coming days. My blog is
jimarcherscribblerand.com
with every good wish
jim archer
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Valerie said:
Great to hear from you Jim. I remember the Ardgillan castle workshop with Evelyn Conlon well. Wasn’t there another writer called Claire Keegan shortlisted? Wonder what happened to her…
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Eric Earwig said:
Must check out those writers you mention Valerie. I suppose I had to post on this as my own writing seems to naturally incline towards the surreal / magic realist direction for some strange reason or another I can’t explain without bringing a giant electronic frog with pink lips into the parlour for an explanation, so I won’t (Alan might start singing).
The author I recommend most highly for the type of skewed stuff I think you’re talking about, is Franz Kafka. I just re-read his short stories recently, and they get funnier and funnier every time. William Burroughs too, for the brave. And Jack Kerouac’s Doctor Sax should also be poked at with a stick from time to time for your ultimate skewed visions of halleluiah if you really want to wake up the neighbours and make them swallow a pig. But you didn’t hear it from me.
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Valerie said:
I love those Kafka stories too. Burroughs for the brave indeed. Must check out the Kerouac one. Looking forward to more skewness from you 🙂
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